Thursday, September 10, 2009
Monday, August 10, 2009
Thursday, June 18, 2009
Good things to say to your kids
- I’m proud of you.
- You really worked hard. (Be specific)
- We all make mistakes.
- That’s all right.
- Thanks for helping.
- I think you can be trusted to handle this!
- Super work!
- You’re right.
- I love you.
- Great try.
- How thoughtful.
- You figured that out.
- I have faith in you.
- You brighten my day!
- I just like hanging out with you.
- Outstanding!
- Thanks for being honest.
Friday, June 5, 2009
Wednesday, May 27, 2009
Thursday, April 16, 2009
Saturday, April 11, 2009
Sunday, April 5, 2009
Saturday, April 4, 2009
Ways of Being Happy
augment our means -- either will do -- the result in the same; and it
is for each man to decide for himself, and do that which happens to be
the easiest. If you are idle or sick or poor, however hard it may be
to diminish your wants, it will be harder to augment your means. If
you are active and prosperous or young and in good health, it may be
easier for you to augment your means than to diminish your wants. But
if you are wise, you will do both at the same time, young or old, rich
or poor, sick or well; and if you are very wise you will do both in
such a way as to augment the general happiness of society. -- Franklin
I've tried very hard to keep the politics to myself but
Friday, April 3, 2009
Iowa Supreme Court says state's same-sex marriage ban violates gays' constitutional rights
To read the rest Click Here
Thursday, April 2, 2009
Change the World
If I could reach the stars I'd pull one down for you
Shine it on my heart so you could see the truth
That this love I have inside is everything it seems
But for now I find it's only in my dreams
CHORUS:
That I can change the world
I would be the sunlight in your universe
You will think my love was really something good
Baby if I could change the world
If I could be king even for a day
I'd take you as my queen I'd have it no other way
And our love will rule in this kingdom we have made
Till then I'd be a fool wishin' for the day
CHORUS:
That I can change the world
I would be the sunlight in your universe
You will think my love was really something good
Baby if I could change the world
Baby if I could change the world
- GUITAR SOLO -
CHORUS:
That I can change the world
I would be the sunlight in your universe
You will think my love was really something good
Baby if I could change the world
Baby if I could change the world
Baby if I could change the world
Wednesday, April 1, 2009
Happy Birthday, Marvin!
I've been really tryin', baby
Tryin' to hold back this feeling for so long
And if you feel like I feel, baby
Then, c'mon, oh, c'mon
Let's get it on
Ah, baby, let's get it on
Let's love, baby
Let's get it on, sugar
Let's get it on
We're all sensitive people
With so much to give
Understand me, sugar
Since we've to be here
Let's live
I love you
There's nothing wrong with me
Loving you, baby no no
And giving yourself to me can never be wrong
If the love is true
Don't you know how sweet and wonderful life can be
I'm asking you baby to get it on with me
I ain't gonna worry
I ain't gonna push, won't push you baby
So c'mon, c'mon, c'mon, c'mon, c'mon, baby
Stop beatin' 'round the bush
Let's get it on
Let's get it on
You know what I'm talkin' 'bout
C'mon, baby
Let your love come out
If you believe in love
Let's get it on
Let's get it on, baby
This minute, oh yeah
Let's get it on
Please, let's get it on
C'mon, c'mon, c'mon, c'mon, c'mon, baby
Stop beatin' 'round the bush
Oh, gonna get it on
Threaten' you, baby
I wanna get it on
You don't have to worry that it's wrong
If the spirit moves ya
Let me groove ya good
Let your come down
Oh, get it on
C'mon, baby
Do you know the meaning?
I've been sanctified
Girl, you give me good feeling
Tuesday, March 24, 2009
Warning - When I Am an Old Woman I Shall Wear Purple
By Jenny Joseph
When I am an old woman, I shall wear purple
with a red hat that doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves
and satin candles, and say we've no money for butter.
I shall sit down on the pavement when I am tired
and gobble up samples in shops and press alarm bells
and run my stick along the public railings
and make up for the sobriety of my youth.
I shall go out in my slippers in the rain
and pick the flowers in other people's gardens
and learn to spit.
You can wear terrible shirts and grow more fat
and eat three pounds of sausages at a go
or only bread and pickles for a week
and hoard pens and pencils and beer nuts and things in boxes.
But now we must have clothes that keep us dry
and pay our rent and not swear in the street
and set a good example for the children.
We must have friends to dinner and read the papers.
But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.
9 Habits of Effective Clicker Trainers Part 1 Using Rewards
This blog is also not to be missed.
www.viassistancedogs.blogspot.com
Thursday, March 19, 2009
Walk on Water
"If every day you work hard to teach your dog to walk
on water, and then one day, after much work, he does
so, do not be surprised or upset when other people say
that he does this only because he is afraid of being
in the water." -- Jerome M. Stewart
Wednesday, March 4, 2009
St. Theresa's Prayer
Thursday, February 26, 2009
Jody's Cookie Turns as taught by Nancy Patton
Actually with the drawings I sent, the foot work is mostly for training the
dog to read your signals, and for you to get an idea. There is no way you'd
want to do it quite like drawn in actual competition.
Remember these are for training only.
We even said little things to the dog as we did them.
First there is a way to hold the leash. It's always tight with the dog
snugged up to your leg/hip so that part of your body acts as a fulcrum for
the dog to turn on.
The leash - at the dog's neck height, is run behind both your legs/hips
(with a Papillon it's much more difficult - but I did it - you have to duck
walk/waddle), gathered up, or allowed to drag behind you, as you want to
hold the leash in your right hand at your pants seam - do NOT move this
hand, it keeps the dog snug into your leg, you do NOT need to pull on it -
just hold it tight.
I use String Cheese for treats in my left hand - holding it in a way that
has the dogs head in exactly the position (just not distance from me) that I
would like for him to heel - it can be heads up heeling (you really
shouldn't want your dog to wrap, rather have the head up and tilted), or the
head can be held level as the dog normally carries it - that's your and the dog's choice.
The clicker is held in the right hand along with the leash, you will click
for any rear end movement on the left turn which should be the one you start
training. The right and about are easy. Do the LEFT first.
I get in position - not the dog, I know what I want - the dog doesn't so I just don't go there.
With the perfect sized dog you can tuck your left elbow into your waist and
hold the left hand with the cheese out and where you want the dogs head to
be. AKC and UKC both tell you what that is - you pick it exactly and that's
where you help your dog be when you get into position.
I let the dog nibble on the cheese as I move forward a step or two - you can
decide how many steps you want to take before you actually start the turn.
At first the dog learns to turn with right foot cues for all 3 turns. By
the time you're ready for actual ring competition he should be able to turn
with either foot cues so you can turn promptly when you hear the judge give
the command. It is NOT necessary to turn with the next step, still you're
want to become proficient before competing.
Remember we're starting with the left turn, you get in position, snugging
your dog up to your leg/hip, holding your left hand in the correct position
for the dog to be in correct heel position (with my Labs that meant I was
just holding my bent arm out in mid air - that's hard) (with the sheltie I
could tuck my elbow into my waist - that's easy) (with the Papillon, the
leash was around my lower legs about at the ankle, my knees bent, duck
walking with my hand holding the cheese way down low - hurts your back).
So here is what I said and did with my dogs, each word means I'm moving a
foot and they are slow small steps- I'm helping the dog learn how to move
his body on cue/command, to keep it under control.
LEFT TURN
Left
Right
Left
Angle Right "Cookie" (right foot step) - which is the word I use for this
turn to left and to keep the dog in heel position. angle right (the toe of
the right foot makes a "slight" angle at the big toe of the left foot -left
foot is facing straight ahead.
Cross Over - Left foot (it's kind of a ballet move I think, the left foot
goes completely across the right foot so you're standing strangely and you
will have to move the right foot out of the dogs way or he might step on
your shoe and remove it from your foot.
Balance - Right -balance - the balance is the movement of the right foot
getting out of the way.
I click at any movement of the rear, you do NOT have to look to know the dog
moves his rear, you can feel it though the leash. If that's hard for you,
then get someone to click for you, do NOT NOT NOT look back. You want the
dog staying in heel position, your turning your head and shoulder back to
look will push him out of position.
If necessary to get the dog to move his rear you may have to take another
step or three. Be sure to have your left foot/let forward when you treat.
I only do 4 of these turns at a time, regardless of how well the dog and I do.
This is working on muscle memory.
RIGHT TURN
The words for the right turns, are
Left
Right
Left
Angle Right - the right foot angles slightly to the right for the cue (it's
a bit more then for the left turn but in the OPPOSITE direction).
Left Come around - Be careful with your left foot when doing this, some of
us (me) have the tendency to swing our left heel out, which causes the dog
to move out of the way. Click and feed the dog by your left pants seam.
Your hand/arm still being in the same position as before, with the leash
wrapped around your legs/hips should have him in the correct place. Yeah!
ABOUT TURN
There a couple of basic ways for you to do the foot work to help the dog
understand what you want, both consist of keeping your feet close together
and under your hips (no big steps).
The most common way to to make T's with your feet, plant the left foot
the right foot swings in front of the left toes until the instep is more or
less touching those left toes.
Do a 180 turn with your left foot (keep the right foot planted for this)
until the heel of the left foot is at the instep of the right foot.
Take a small step forward with the right foot.
The other way has a nice little saying Nancy Patton taught us.
It's toe toe rotate go
Left foot short step forward and plant (that's the first toe above)
Right toes go to the left toes (second toe above)
Rotate your left foot on the heel so it's 180 degrees turned
Go -- is bringing your right foot forward (short step)
some basic things that help the dogs understand turns. When doing straight
line heeling you are taking nice steps that fit you and the dog - so you
look pretty moving together.
Plan on shortening one stride when you hear the judge give the turn cue, in
training it will be your left stride (this is telling the dog something is
going to happen, but he doesn't know what it is yet). The next step, which
is the right foot will tell the dog what you're going to do, the right foot,
with this method gives the turn cue.
When coming out of a turn the first step is always shorter, it helps the dog
maintain his position, the next step is your regular heeling stride.
When teaching these turns do them slowly, you need to work on what you're
doing also, don't get upset if they are not quite right, you will smooth it out.
These are excellent cues for agility also.
Something people don't realize is how much their shoulders (and of course
their heads as they are attached to the neck to the shoulders) turn with
just a simple right foot movement. So don't try to over do these turns,
always work on them being as subtle as possible, not blatant.
When changing pace while heeling it's important to look at different spots
before you, slows means look closer to you, normal would be out a bit where
you usually heel, fast would be out farther. For halts, use the shorter
stride as the first cue to the dog, the next step to let him know what
you're going to do. Up sits are wonderful for this.
Putting all the pieces together is easy if you want to compete, the dog and
you know the principals, now you just get smooth and beautiful as you move
along (stiffly as is required).
--
Jody B
Jersey Village, TX
Friday, February 20, 2009
"Punishment as a training tool should become obsolete. It's unnecessary and counter-productive. Your horse wants peace with you, and he'll adapt his life to achieve it. When he isn't getting something you're trying to teach him, he's already unhappy.
"Punishing him at this point is backward thinking, and just causes anxiety.
"Instead, show him again-more clearly-what you want, and when he responds even a little, give him instantaneous, positive feedback.
"This is much preferable to concentrating on what you don't want (the lack or wrong response), and making your horse more miserable in the process.
"Think of it another way: if your boss only yelled at you whenever you made amistake, and never praised you for doing something correctly, pretty soon you wouldn't want to go to work at all. It's the same for your horse."
-- John Lyons, America's most trusted horseman
Wednesday, January 7, 2009
"Bury Me in a Free Land"
"Bury Me in a Free Land"
Frances Haper
- Make me a grave where'er you will,
- In a lowly plain, or a lofty hill;
- Make it among earth's humblest graves,
- But not in a land where men are slaves.
- I could not rest if around my grave
- I heard the steps of a trembling slave;
- His shadow above my silent tomb
- Would make it a place of fearful gloom.
- I could not rest if I heard the tread
- Of a coffle gang to the shambles led,
- And the mother's shriek of wild despair
- Rise like a curse on the trembling air.
- I could not sleep if I saw the lash
- Drinking her blood at each fearful gash,
- And I saw her babes torn from her breast,
- Like trembling doves from their parent nest.
- I'd shudder and start if I heard the bay
- Of bloodhounds seizing their human prey,
- And I heard the captive plead in vain
- As they bound afresh his galling chain.
- If I saw young girls from their mother's arms
- Bartered and sold for their youthful charms,
- My eye would flash with a mournful flame,
- My death-paled cheek grow red with shame.
- I would sleep, dear friends, where bloated might
- Can rob no man of his dearest right;
- My rest shall be calm in any grave
- Where none can call his brother a slave.
- I ask no monument, proud and high,
- To arrest the gaze of the passers-by;
- All that my yearning spirit craves,
- Is bury me not in a land of slaves.